Broadcast
Studio lighting
We design studio lighting for cameras, scenography and various production formats.
About the service
A solution matched to the application
We analyze the shooting set, camera positions, color temperature, color reproduction, mounting, control and thermal comfort. The system can handle saved scenes and variable studio arrangements.
The project requires camera sets, scenography, types of production, suspension heights, power supply and control method. We set scenes for the presenters, conversations, green screen and decorative elements instead of selecting the lighting only according to power.
Benefits
What you get in practice
Repeatable exposure and color
Color, levels and directions are matched to the cameras and scenography so that subsequent shooting days provide a repeatable starting point.
Flexible lighting scenes
Saved scenes allow you to change the program format without manually setting each setting, retaining adjustments for specific positions.
Quiet operation and control from the control room
We select solutions taking into account noise, temperature, operating frequency and the possibility of control from the implementer’s position.
How we work
A clear process from analysis to support
- 01
Needs assessment
We define the objective, users, technical conditions, timeline and acceptance criteria.
- 02
Concept and design
We define the architecture, equipment, integrations and delivery plan.
- 03
Implementation and testing
We install, configure and test the system in its target scenarios.
- 04
Handover and support
We hand over the solution, train the team and agree the ongoing support arrangements.
Projects
See related projects
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New studio – TVP3 Białystok
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Applications
Where the solution works best
- Information studies
- Educational and webcast studies
- Multifunctional studios and green screen
Technology
A proven and compatible ecosystem
- Prolights
- Claypaky
- DMX and network light control
See also
Related services
Acceptance testing
Camera tests for all basic lighting scenes
We assess exposure, skin color, background, reflections, shadows, green screen and transitions between scenes. Presets are described so that the team can play them and correct them safely.
FAQ
Frequently asked questions
Why is CRI not the only criterion for a studio luminaire?
Spectrum, TLCI, color stability, dimming method, flickering and working with a specific camera track are also important.
Can I save finished scenes?
Yes. The control system can store settings for various programs, plans and scenography layouts.
Contact
Consult the project
Describe the space, date and planned way of working. We will answer with specific questions about the scope.
